ANALISIS KOREOGRAFI TARI HADRAH PADA MASYARAKAT DESA DALU X A KECAMATAN TANJUNG MORAWA KABUPATEN DELI SERDANG

Chofifah Chairuna, Inggit Prastiawan

Abstract


This study aims to describe the choreographic analysis of the Hadrah Dance in the community of Dalu X A village, Tanjung Morawa District, Deli Serdang Regency. Choreography Analysis refers to the Theory of Y. Sumandiyo Hadi (2012:41) that choreography is the skill of creating or arranging dance movements which includes the stages of cultivation as the first step consisting of the form of choreography and the principles of art formation, which consists of Unity (Intact Unity), Variation (Diversity), Repetition, Transition, Series, Climax. This type of research uses a qualitative descriptive method with data collection techniques, namely Observation, Interview, and Documentation. Qualitative descriptive data analysis technique by means of triangulation. The research was carried out at the Shield Studio, Dalu X A Village, Tanjung Morawa District, Deli Serdang Regency. The research was conducted from January 2024 to March 2024. Population and Sample consisted of 3 artists from Sanggar Prisai. 5 musicians and 5 male dancers at Sanggar Perisai. The results of this research include Unity (Unity), Diversity (Variation), Repetition (Repetition), Displacement (Transition), Hadrah Dance Series, and Climax (Climax).


Keywords


Tari Ratoh Bantai; Nilai; Estetika

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DOI: https://doi.org/10.24114/gjst.v13i2.64497

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