Sintaksis Nyaru : Komposisi Musik Generatif dalam Ansambel Campuran

Gen Dekti Dekti, Rosmegawaty Tindaon, Zainal Warhat

Abstract


Sintaksis Nyaru is an artificial musical composition that departs from the musical event of the Nyaru mantra in the Asyeik Pumbaru Jikat ritual as a natural composition grammar. The concept of the work of Sintaksis Nyaru is an elaboration of the construction of a musical hierarchy of mantras using a Generative Music system approach which is realized in the formation of a Mixed Ensemble. Overall, this composition offers two types of branching regarding the sequence of musical events, namely the right branch indicates retention and depending on memory, the left branch indicates retention and depends on expectation. The method of creating works is divided into three stages. The first stage determines the placement of Composition and Intuition Grammar. Second, form a Sequence of Events (Musical Works). Third, determine the structural description of the work. There are five parts (Arch Form) of the local structure consisting of part I (protention), part II (retention), part III (complexity), part IV (retention), part V (re-protection). The conclusion resulting from the psychological distance of the horizontal and vertical dimensions obtained from the attraction value of the global structure is 29,397 with the direction of relaxing movement.

Keywords: Asyeik Ritual, Mantra Nyaru, Generative Music, Arch Form, Mixed Ensemble 


Full Text:

PDF

References


Arikunto, Suharsimi. 2002. Prosedur Penelitian, Suatu Pendekatan Praktek. Jakarta: PT. Rineka Cipta.

Djohan. 2016. Psikologi Musik (cetakan ke-IV). Yogyakarta: Penerbit Indonesia Cerdas.

Ferris, Jean. 2008. Music: The Art Of Listening (seventh edition). New York : McGraw-Hill Companies.

Kostka, Stefan & Matthew Santa. 2018. Materials and Techniques of Post-Tonal Music (fifth edition). New York : Routledge.

Lerdahl, Fred & Ray Jackendoff. 1996. A Generative Theory of Tonal Music. London : The MIT Press.

Lerdahl, Fred. 2020. Composition and Cognition: reflections on contemporary music and the musical mind. California: University of California Press.

-----------.”Tonal Pitch Space”, dalam Jurnal Music Perception: An Interdisciplinary, Vol. 5, No. 3. 1988.

-----------.”Cognitive Constraints on Compositional Systems,” dalam Jurnal Contemporary Music Review, Part 2. Vol. 6. 1992.

-----------.”Calculating Tonal Tensing”, dalam Jurnal Music Perception: An Interdisciplinary, Vol. 13, No. 3. 1996.

Peters, Jonathan. E. 2014. Music Composition 1 & 2. CreateSpace Independent Publishing Platform. (www.ComposerJonathanPeters.com).

Sunarto, Bambang. 2013. Epistemologi Penciptaan Seni. Yogyakarta: IDEA Press Yogyakarta.

Sunliensyar, Hafiful, H. “Idu Tawa Lam Jampi: Mantra-mantra dalam Naskah Surat Incung Kerinci,” dalam Makalah dipresentasikan pada Seminar Internasional Pernaskahan Nusantara. Surakarta. 26 September 2017.

----------.”Ritual Asyeik Sebagai Akulturasi Antara Kebudayaan Islam dengan Kebudayaan Pra-Islam Suku Kerinci”, dalam Jurnal Siddhayatra, No. 2. Vol. 21. 2016.

Taruskin, Richard. 2011. The Oxford History of Western Music: Music in the Late 20th Century (Cetakan ke-5). New York: Oxford University Press

Wilkins, Margaret, L. 2006. Creative Music Composition: The Young Composer Voice. New York: Taylor & Francis Group.




DOI: https://doi.org/10.24114/gsts.v1i2.27421

Article Metrics

Abstract view : 214 times
PDF - 209 times

Refbacks

  • There are currently no refbacks.


Copyright (c) 2021 Jurnal Gestus



Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Follow us on instagram @gestusjournal

Gestus Journal : Jurnal Penciptaan dan Pengkajian Seni