Dari Ritual ke Komoditas Digital: Redefinisi Identitas Budaya Generasi Muda Papua dalam Pertunjukan Tari Kontemporer
DOI:
https://doi.org/10.24114/gjst.v15i2.72832Keywords:
Cultural Identity, Digital Commodification, Wisisi, Contemporary Dance, EthnopedagogyAbstract
This study examines the redefinition of cultural identity among young Papuans through dance students’ experiences of Wisisi and their understanding of the relationship between movement, cultural context, and contemporary dance presentation. It adopts a descriptive-interpretive qualitative approach. Thematic analysis identified three patterns. First, digital media expands students’ access to movement references beyond the repertoires they already know, but the materials they encounter do not always explain dance history, meanings, and social functions. Second, the experience of togetherness while performing Wisisi can coexist with one informant’s limited ability to explain the dance’s meaning and function in depth. Third, students’ responses to Earned It and choreographer Geisler Kaisera Mayor’s explanation of Langkah Pulang suggest that contemporary appreciation and artistic choices can offer ways to reinterpret sources of tradition rather than necessarily reject them. These findings distinguish access to movement, embodied social experience, and contextual cultural knowledge. The article discusses ethnopedagogical implications as recommendations for arts education, not as a tested teaching model. Conclusions are limited to the participants and data examined.
References
Abu Bakar, & Kosasih, A. (2018). Nurturing nationalism character values at the primary schools in Jayapura, Papua. Cakrawala Pendidikan, 37(1), 136-149. https://doi.org/10.21831/cp.v37i1.13616
Andini, D. P., & Alimi, M. Y. (2025). Peran Komunitas Seni dalam Pembentukan Identitas Penggiat Seni pada Generasi Muda: Studi Kasus Gambang Semarang Art Company. Santhet (Jurnal Sejarah Pendidikan dan Humaniora), 9(3), 917-929. https://doi.org/10.36526/santhet.v9i3.5481
Basir, M., Marthen, M., & Ismail, A. (2025). Between the sacred and the market: The cultural politics of Mangngaro ritual tourism in Indonesia. Asian Anthropology, 24(4), 349-373. https://doi.org/10.1080/1683478X.2025.2582451
Damayanti, D., Ramli, R. B., Oktariani, M., Hanipah, S., Mudatsir, M., Parman, P., & Ismail, I. (2025). Edukasi dan Pelestarian Budaya Papua Selatan Melalui Merauke Imbuti Festival. Abdimas Langkanae, 5(1), 86-93. https://doi.org/10.53769/jpm.v5i1.397
Dari Api ke Arsip: Transformasi Ritual Bakar Batu Melalui Media Dokumenter Edukatif. (2025). Prosiding Seminar Seni Media Rekam, 3(1), 289-302. https://doi.org/10.24821/ngwhat81
Fiharsono, A., Carey, M. D., Hyde, M., et al. (2026). Enhancing school belonging for Indigenous students in Papua, Indonesia. International Review of Education, 72, 135-159. https://doi.org/10.1007/s11159-025-10157-2
Hadiprayitno, I. I. (2017). The limit of narratives: Ethnicity and indigenous rights in Papua, Indonesia. International Journal on Minority and Group Rights, 24(1), 1-23. https://doi.org/10.1163/15718115-02401004
Hanip, R., Wahyudiono, A., & Ruma Bay, R. (2025). Peran Tradisi Snap Mor dalam Pendidikan Kearifan Lokal di Papua: Perspektif Ilmu Sosial Kontemporer. Education Journal: Journal Educational Research and Development, 9(2). https://doi.org/10.31537/ej.v9i2.2385
Indrayuda, I. (2010). Fenomena Tari Kontemporer dalam Karya Tari. Jurnal Pendidikan dan Kebudayaan, 16(1), 64-75. https://doi.org/10.24832/jpnk.v16i1.432
Kanem, V., & Norris, A. (2018). An examination of the Noken and indigenous cultural identity: Voices of Papuan women. Journal of Cultural Analysis and Social Change, 3(1). https://doi.org/10.20897/jcasc/86189
Kelana, A. H., Sari, K., Irawan, S., Karubaba, M., Amandus, V., & Kasanofa, A. (2025). Sinergi Sains dan Seni Budaya (Kearifan Lokal Papua): Pelatihan Daur Ulang Barang Bekas Menjadi Alat Peraga Inovatif Model Miniatur Honai Papua. Jurnal Abdimas Indonesia, 5(4), 3036-3047. https://doi.org/10.34697/jai.v5i4.2445
Murda, M. I. M. (2025). Wisisi: Transformasi Tari-Musik Papua dari Ritual Adat ke Hiburan Global Digital. Greget: Jurnal Kreativitas dan Studi Tari, 24(2), 117-132. https://doi.org/10.33153/grt.v24i2.7681
Nurdiyana, T., & Indriyani, P. D. (2023). Etnokoreologi: Kajian Melalui Antropologi dan Seni Tari. Yogyakarta: Jejak Pustaka.
Paimin, Lokanantasari, R. P., & Febiyani, S. K. (2025). Local aesthetics and commodification: Efforts to self-actualize and existence in the Gedruk dance art of the Saleho group. Acintya, 17(1), 66-81. https://doi.org/10.33153/acy.v17i1.7554
Putra, Z. A. W., Muryasari, D., & Medilianasari, R. (2024). Integrating ethnopedagogy and cultural arts education: Preserving Indonesia’s heritage in the globalized era. Indonesian Journal of Educational Research and Review, 7(3), 709-718. https://doi.org/10.23887/ijerr.v7i3.76244
Raabe, E. C. (2019). Contemporary art in Melanesia: From grassroots to national identity? Dalam E. Haddow & E. C. Raabe (Eds.), The Melanesian World (hlm. 434-454). Routledge.
Saputra, R., Hasanah, N., Kamaludin, Azis, M., Putra, M. A., & Armayadi, Y. (2024). Peran Seni dalam Mempertahankan Identitas Budaya Lokal di Era Modern. Besaung: Jurnal Seni Desain dan Budaya, 9(2), 183-195. https://doi.org/10.36982/jsdb.v9i2.4044
Sarang, R. K., & Jiaripits, A. (2025). Modernity and cultural dislocation: A study on the loss of local wisdom practices in Asmat society. Jurnal Masalah Pastoral, 13(1), 73-92. https://doi.org/10.60011/jumpa.v13i1.194
Socio-cultural dynamics and identity in contemporary Papuan communities. (2025). International Journal of Education and Social Science Studies, 1(2), 77-83. https://doi.org/10.60153/ijesss.v1i2.195
Supartono, A., & Moschovi, A. (2020). Contesting colonial (hi)stories: (Post)colonial imaginings of Southeast Asia. Journal of Southeast Asian Studies, 51(3), 343-371. https://doi.org/10.1017/S0022463420000508
Surya Peradantha, I. B. G., & Luh Kompyang, S. W. (2025). Cultural dynamics in the evolution of Ibhea Obhea dance in Doyo Lama village, Papua: From sacred ritual to secular performance. Mudra Jurnal Seni Budaya, 40(1), 36-53. https://doi.org/10.31091/mudra.v40i1.3065
Wanggai, L. L., Hamadi, H. Y., & Yaroseray, M. M. (2026). Internalisasi Nilai-Nilai Kearifan Lokal dalam Membentuk Karakter Siswa Melalui Pembelajaran Muatan Lokal SMA di Kota Jayapura. (JPAP) Jurnal Praktisi Administrasi Pendidikan, 10(1), 32-38. https://doi.org/10.29303/jpap.v10i1.1294
Yunanto, N. Y., & Kusmastuti, E. (2025). Bentuk dan Fungsi Pertunjukan Tari Kuda Lumping “Masal Dewasa”: Studi Etnokoreologi di Paguyuban Turonggo Budhoyo Masiran. Greget: Jurnal Kreativitas dan Studi Tari, 24(1), 18-36. https://doi.org/10.33153/grt.v25i1.7149
Zahra, N. A., Koimah, S. M., & Salam, F. F. (2025). Tantangan Pelestarian Budaya Lokal di Tengah Modernisasi: Studi Kasus pada Suku Muyu di Papua Selatan. Jurnal Ilmu Sosial dan Budaya Indonesia, 3(2), 101-108. https://doi.org/10.61476/am7nen23
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Sukrin Suhardi, Muhammad Ilham Mustain Murda

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors published with the Gesture: Jurnal Seni Tari agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. (See The Effect of Open Access)




