Inovasi Bentuk Pertunjukan Sendratari Ramayana di Candi Prambanan Yogyakarta

Authors

  • Supriyadi Hasto Nugroho Universitas Negeri Yogyakarta
  • Ni Luh Enita Maharani Universitas Negeri Yogyakarta
  • Sutiyono Universitas Negeri Yogyakarta

DOI:

https://doi.org/10.24114/gjst.v15i2.73165

Keywords:

Innovation, Performance Form, Ramayana Dance Drama

Abstract

This study aims to examine the evolution of performance styles of the Ramayana dance drama at Prambanan. The research method is qualitative, with a focus on the evolution of performance styles. The formal object of this study is innovation in performance styles, while the material object is the Ramayana dance drama at Prambanan. The subjects of this study were the group leaders and managers of the Ramayana dance drama. Data collection techniques included observation, interviews, and documentary analysis. Data analysis techniques included data description and data reduction. The results of this study indicate that 1) the Ramayana dance-drama performances began in 1961; 2) the Ramayana dance-drama performances underwent a development process, starting with a 6-episode story, then a 4-episode story, followed by the full story, and finally a condensed version beginning in 2025; 3) The development of the Ramayana dance-drama format was carried out in each scene with a focus on group dance choreography; 4) Development was also carried out in makeup, costumes, props, and stage design.

References

Asih, D. T., & Hidajad, A. (2023). Bentuk Pertunjukan Tabbhuen di Pondok Pesantren Wali Songo Kabupaten Situbondo. TONIL: Jurnal Kajian Sastra, Teater dan Sinema, 20(1), 59-76. https://doi.org/10.24821/TNL.V20I1.9532

Going Solo. (t.t.). Sendratari Ramayana di Prambanan (Yogya) [Gambar]. https://share.google/images/Lowmm32WrLpQoXXhI

Harminto, B. (2023). Sendratari Ramayana Prambanan Yayasan Roro Jonggrang Empat Episode di Panggung Terbuka (Open Air). Joged: Jurnal Seni Tari, 21(1), 71-82. https://journal.isi.ac.id/index.php/joged/article/download/9663/3136

Hersapandi. (1999). Wayang Orang: Sri Wedari. Dari Seni Istana Menjadi Seni Komersial. Yogyakarta: Yayasan untuk Indonesia.

Kompasiana. (t.t.). Menonton Pertunjukan Sendratari Ramayana [Gambar]. https://share.google/images/Jikbop9bKNHx6fhGI

Kusmawati, D., & Sarjono, H. (2023). Tinjauan Pustaka Sistematis: Studi Kritis Pementasan Budaya di Era Pandemi Covid-19 pada Pertunjukan Sendratari Ramayana secara Online. Satwika: Kajian Ilmu Budaya dan Perubahan Sosial. https://doi.org/10.22219/satwika.v6i1.18275

Prasetya, H. B., Hariyanto, H., Nugraha, B. A., Larasati, Y. G., & Ariastuti, M. F. (2024). Reformatting the performing arts: Wayang Climen as a tradition-based entertainment solution for urban audiences in Yogyakarta. Journal of Urban Culture Research, (29), 77–96. https://doi.org/10.14456/jucr.2024.15

Sadilah, E. (2007). Sendratari Ramayana di kawasan wisata Candi Prambanan. Jantra, 2(4), 245–252.https://repositori.kemendikdasmen.go.id/5145/1/Jantra_Vol._II_No._4_Desember_2007.pdf

Sedyawati, E. (1979). Tari: Tinjauan dari Berbagai Segi. Jakarta: Pustaka Jaya.

Sendratari Ramayana Prambanan. (2026). Dalam Wikipedia. Diakses pada 28 September 2026, dari https://id.wikipedia.org/wiki/Sendratari_Ramayana_Prambanan

Septiyan, D. D. (2022). Bentuk Pertunjukan dan Proses Kreativitas Penciptaan Karya Musik Jimi Multhazam dalam Single Album The Upstairs. Tonika: Jurnal Penelitian dan Pengkajian Seni, 5(1), 42-54. https://doi.org/10.37368/TONIKA.V5I1.364

Soedarsono, R. M. (1999). Seni Pertunjukan Indonesia & Pariwisata. Masyarakat Seni Pertunjukan Indonesia dan Art.Line.

Soedarsono, R. M. (2003). Seni Pertunjukan dari Perspektif Politik, Sosial, dan Ekonomi. Yogyakarta: Fakultas Ilmu Budaya, Universitas Gadjah Mada.

Sumaryono. (2011). Antropologi Tari: Dalam Perspektif Indonesia. Yogyakarta: Badan Penerbit ISI Yogyakarta.

Thomas, F. J., dkk. (2018). Pengalaman Menjadi Pemeran Tokoh Dewi Sinta dalam Sendratari Ramayana Prambanan: Sebuah Interpretative Phenomenological Analysis. Jurnal Empati, 7(4), 269-278. https://doi.org/10.14710/empati.2018.23475

Widya Loka Wisata. (2023). Properti watang, gendewa, dan payung grup Bayu Bajra [Gambar]. https://share.google/images/T9yhjth48Gr1Bs00P

YouTube. (2016). Sendratari SUGRIWA SUBALI / Javanese Ramayana SUGRIV VALI YUDH Dance [HD]. Sriwisnu Dance Gamelan Wayang [Video]. YouTube. https://www.youtube.com/watch?v=fIpV6CJrakg

YouTube. (2019). BEKSAN WANARA / Sugriwa Subali / Javanese SENDRATARI Ramayana Ballet Dance WISNUMURTI [HD]. Sriwisnu Dance Gamelan Wayang. [Video]. YouTube. https://www.youtube.com/watch?v=guRoWTYfxMs

Yuliza, F. (2020). Creativity of Art in Sendratari Ramayana as an Example of Transformation Process. Jurnal Ekspresi Seni. https://journal.isi-padangpanjang.ac.id/index.php/Ekspresi

Downloads

Published

2026-10-30