BENTUK PENYAJIAN DAN BENTUK MUSIK RAPA’I PASEÉ PADA MASYARAKAT ACEH DI GAMPONG AWE KECAMATAN SYAMTALIRA KABUPATEN ACEH UTARA

Abstract

This research have purpose ti investigate the existence and the instruments used in
Rapa’i Pasee art at Gampong Awe Syamtalira subdistrict Nort Aceh regency. The
theory used in this research including the explanation of the existence, the presentation
from, explanation meaning of music, music elements, and the organology of music
instruments.The population in thi research is music group of Rapa’i Pasee that consist
of 16 players, they are 2 was called Syekh (leader), and 14 are music players. The
sample in this research is all population that consist 13 persons. The methods used in
this research is observation, interviewed, and documentation. The data processing and
analysis technic used quality deseriptive research type. The interview result showed
Rapa’i Pasee at Gampong Awe Syamtalira subdistrict North Aceh regency now was so
interested by people. The Rapa’i Pasee was showed as entertainment in some events,
usually like independence day or in prophrt Muhammad Saw birthday or to wecome the
country guests. The instruments used is Rapa’i Pasee (like rebana but in big size). The
presentation from showed in Rapa’i Pasee played consist 4 chapter (scene), that is
Saleum Aneuk Syahi/Cahi, Saleum Aneuk Rakan, Kisah (story) and closing scene.
Rapa’i Pasee have own harmony, Rapa’i Pasee have music from one part, two parts
nad three parts. Music from one part was sel up in Saleum Rakan and closing scene,
two parts in Saleum Aneuk Syahi/Cahi, and three part was set up in Kisah scene