Analisis Lagu Bernuansa Jawa pada Perayaan Ekaristi di Gereja Stasi Kabar Gembira Kotabumi

Authors

  • Maria Angelika Intan Ristyaloka Universitas Lampung, Indonesia
  • Erizal Barnawi Universitas Lampung, Indonesia
  • Bian Pamungkas Universitas Lampung, Indonesia

DOI:

https://doi.org/10.24114/grenek.v14i2.68480

Keywords:

Bentuk Musik, Analisis Lagu Bernuansa Jawa, Perayaan Ekaristi, Gereja Katolik Stasi Kabar Gembira, Kotabumi

Abstract

One of the most important parts that cannot be separated from the Eucharistic Celebration is the songs accompanying each procession. The songs used in the Eucharistic Celebration have various types. One popular form is the Inculturation song form. This study will discuss the use of the Javanese Inculturation song form used in the Eucharistic Celebration at the Kabar Gembira Catholic Church in Kotabumi using the Qualitative-Descriptive Research model. This study aims to analyze and describe the songs "Aku Mengasih Tuhan", "Bapa Kami Gaya Jawa", and "Ndherek Dewi Mariyah". Data was collected through observation, interviews, and documentation. The data that had been collected was then analyzed using the theory of "Musical Form Science" by Karl-Edmund Prier SJ and the theory of "Javanese Inculturation Music Form" by Ardhana. This study found the Canon musical form in the three songs analyzed. This study also found that the Javanese nuances contained in the songs analyzed can be seen based on the composition or tuning, as well as the language used in the presentation of the song.

References

Adon, M. J. (2021). Mewujudkan Partisipasi Umat Dalam Liturgi Di Paroki Mbeling Dalam Semangat Sacrosantum Concilium. Jurnal Teologi Praktika, 2(1), 42–55. https://doi.org/10.51465/jtp.v2i1.31

Ardana, I. K. (2017). Metode penciptaan karya-karya baru Karawitan Bali. Yogyakarta: JB Publisher. https://digilib.isi.ac.id/7233/

Barnawi, E., Pamungkas, B., Saputra, A., & Afandi, S. (2023). Ansambel Klenongan di Tiyuh Panaragan, Kabupaten Tulang Bawang Barat. Journal of Music Science, Technology, and Industry, 6(2), 179-201. https://jurnal.isidps.ac.id/index.php/jomsti/article/view/2593/938

Charity, I. C. (2020). Bentuk Penyajian dan Fungsi Lagu Bahasa Jawa untuk Paduan Suara dalam Perayaan Ekaristi di Gereja St. Maria Fatima Baumanik Semarang. Jurnal Seni Musik, 9(1), 11-20. https://journal.unnes.ac.id/sju/index.php/jsm/index

Chintyasari, C., Barnawi, E., & Hernanda, A. H. (2024). Tabuhan Rudat pada Arak-Arakan Keratuan Darah Putih di Desa Kuripan Kabupaten Lampung Selatan. Grenek Music Journal, 13(2), 266–277. https://doi.org/10.24114/grenek.v13i2.56951

Edmund, K.P. (2015). Ilmu Bentuk Musik. Yogyakarta: Pusat Musik Liturgi

Kasih, C. M. G. L. (2024). Inkulturasi Nilai Inji Dalam Budaya Jawa Pada Lagu Bojana Agung: Suatu Kajian Musikologis. Jurnal Teologi, 13(01), 79–102. https://doi.org/10.24071/jt.v13i01.7824

Konferensi Wali Gereja Indonesia (KWI). (2020). Tata Perayaan Ekaristi (Buku Umat). Jakarta: Penerbit OBOR.

Rizqullah, M. F., & Suroso, P. (2021). Bentuk Dan Fungsi Lagu Tawar Sedenge Pada Masyarakat Gayo di Kabupaten Aceh Tengah. Grenek Music Journal, 10(1), 71. https://doi.org/10.24114/grenek.v10i1.26100

Sugiyono. (2019). Metode Penelitian Kuantitatif Kualitatif dan R&D. Bandung: Penerbit Alfa Beta

Syahrizal, H., & Jailani, M. S. (2023). Jenis-Jenis Penelitian Dalam Penelitian Kuantitatif dan Kualitatif. Jurnal QOSIM Jurnal Pendidikan Sosial & Humaniora, 1(1), 13–23. https://doi.org/10.61104/jq.v1i1.49

Utama, R.G. (2023). Estetika Nusantara Dalam Praktik Nyanyian Peribadatan Inkulturatif Di Gereja Katolik Santo Pius X Karanganyar (Doctoral Dissertation, Institut Seni Indonesia Surakarta). http://repository.isi-ska.ac.id/view/creators/Utama=3ARyan_Gayuh=3A=3A.default.html

Downloads

Published

2025-12-31

Issue

Vol. 14 No. 2 (2025): Grenek: Jurnal Seni Musik (December)

Section

Grenek Music Journal

License

Copyright (c) 2025 Maria Angelika Intan Ristyaloka, Erizal Barnawi, Bian Pamungkas

Creative Commons License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Authors published with the Grenek: Jurnal Seni Musik agree to the following terms:

  1. Authors retain copyright and grant the journal the right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal. 
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. (See The Effect of Open Access)