Penggunaan Teknik Vokal Belting untuk Meminimalisir Vocal Fatigue pada Interpretasi Lagu Rapuh oleh Ainun Irsani
DOI:
https://doi.org/10.24114/grenek.v15i1.70813Keywords:
Teknik Vokal Belting, Vocal Fatigue, LaguAbstract
The use of vocal belting techniques is increasingly popular in Indonesian pop music because it can produce a strong, expressive, and powerful sound. However, its application has the potential to cause vocal fatigue if done without proper technique. This study explains the application of vocal belting techniques in the interpretation of the song Rapuh by Ainun Irsani as an effort to minimize the risk of vocal cord injury. The study used a qualitative descriptive method with data collection techniques through observation, documentation, and semi-structured interviews with Ainun Irsani and Adi Nugroho. Data analysis refers to the Miles, Huberman, and Saldaña model which includes data reduction, data presentation, and drawing conclusions. The results of the study indicate that the application of belting supported by breath control, resonance, body posture, articulation, and systematic vocal warm-ups can produce optimal sound quality without increasing the risk of vocal fatigue. External factors also influence the success of this technique. The research findings emphasize the importance of systematic belting technique learning by paying attention to technical, physiological, and vocal health aspects.
References
Bayerl, S. P., Wagner, D., Baumann, I., Bocklet, T., & Riedhammer, K. (2023). Detecting Vocal Fatigue with Neural Embeddings. Journal of Voice, 39(4), 1130 (19)–1130 (29). https://doi.org/10.1016/j.jvoice.2023.01.012
Berardi, M. L., Whitling, S., & Hunter, E. J. (2025). Voice Fatigue Subtyping Through Individual Modeling of Vocal Demand Responses. Scientific Reports, 15(1), 25718. https://doi.org/10.1038/s41598-025-10565-2
Clark, B & Arthur, C. (2023). Is Melody “Dead?”: A Large-scale Analysis of Pop Music Melodies from 1960 through 2019. Empirical Musicology Review 17(2), 120-149. https://doi.org/10.18061/emr.v17i2.8746
Fleischer, M., Rummel, S., Stritt, F., Fischer, J., Bock, M., Echternach, M., ... & Traser, L. (2022). Voice efficiency for different voice qualities combining experimentally derived sound signals and numerical modeling of the vocal tract. Frontiers in physiology, 13, 1081622. https://doi.org/10.3389/fphys.2022.1081622
Given, L. M. (Ed.). (2020). The SAGE encyclopedia of qualitative research methods (Vols. 1–2). SAGE Publications
Guo, J., Suttachitt, N., & Daoruang, K. (2024). The Impact of Developing Pop Music on Music Infrastructure Construction and Education Systems, 8(4), 10241. https://elibrary.ru/item.asp?id=79819119
Hancer H. (2025). Vocal Fatigue Risk Factors and Voice-Related Quality of Life Among University Professors in Turkey. Journal of Voice, S0892-1997(25), 00287-5. https://doi.org/10.1016/j.jvoice.2025.07.024
Herbst CT, Story BH, Meyer D. (2025). Acoustical Theory of Vowel Modification Strategies in Belting. Journal of Voice, 39(5), 1192-1204. https://doi.org/10.1016/j.jvoice.2023.01.004
Ikävalko T, Laukkanen AM. (2025). Belting by Trained Singers Compared With Shouting by Untrained Nonsingers: How Do They Differ?. Journal of Voice, S0892-1997(25),00377. https://doi.org/10.1016/j.jvoice.2025.09.011
Lã, F. M. B., & Fiuza, M. B. (2022). Real-time visual feedback in singing pedagogy: Current trends and future directions. Applied Sciences, 12(21), 10781. https://doi.org/10.3390/app122110781
LeBorgne, W. D., & Rosenberg, M. D. (2024). The vocal athlete (3rd ed.). Plural Publishing.
Lei Z, Fasanella L, Martignetti L, Li-Jessen NY, Mongeau L. (2020). Investigation of Vocal Fatigue Using a Dose-Based Vocal Loading Task. Appl Sci (Basel), 10(3), 10.3390. https://doi.org/10.3390/app10031192
Leppävuori M, Lammentausta E, Peuna A, Bode MK, Jokelainen J, Ojala J. (2020). Nieminen MT. Characterizing Vocal Tract Dimensions in the Vocal Modes Using Magnetic Resonance Imaging. Journal of Voice, 35(5), 804.e27-804.e42. https://doi.org/10.1016/j.jvoice.2020.01.015
Liu, Y. (2025). Analysis of pop music singing characteristics and exploration of personality display strategy. Advances in Higher Education, 7(21), 9519. https://doi.org/10.18686/ahe.v7i21.9519
Miles B Matthew, Huberman Michael A, & Saladna Jhonny. (2020). Qualitative Data Analysis Fourth Edition (5th ed.). SAGE Publications, Inc.
Miller, D. G., Schutte, H. K., & Sundberg, J. (2021). Belting and pop, non-classical approaches to the female middle voice. Journal of Voice, 35(5), 701–709. https://doi.org/10.1016/j.jvoice.2020.02.024
Moniz, J. J. (2022). Regulating vocal load in high impact production: A pedagogical perspective. Journal of Singing, 78(5), 601–607. https://doi.org/10.53830/OMOO7954
Nascimento, J. L. A., de Araujo, F. S., Ribeiro, V. V., Godoy, J. F., & Siqueira, L. T. D. (2025). Self-perception of vocal fatigue and insomnia severity in teachers. CoDAS, 37(2), e20240067. https://doi.org/10.1590/2317-1782/e20240067pt
Rudisch, D. M., Block, K. T., Edwards, M., & Johnson, A. M. (2025). Investigating vocal tract configurations across different belting qualities in female and male musical theater singers using real-time dynamic MRI. Journal of Voice. Advance online publication. https://doi.org/10.1016/j.jvoice.2025.04.021
Savareh, S., Moradi, N., Shaterzadeh Yazdi, M. J., Soltani, M., & Latifi, M. (2023). Immediate effects of semi-occluded vocal tract exercises as a vocal warm-up in singers. Journal of Voice, 37(6), 875–880. https://doi.org/10.1016/j.jvoice.2021.05.014
Watson, K., Oates, J., Sinclair, C., Smith, J. A., & Phyland, D. (2024). Associations Between Immunological Biomarkers, Voice Use Patterns, and Phonotraumatic Vocal Fold Lesions. Journal of Voice. https://doi.org/10.1016/j.jvoice.2024.09.019
Zhong, Q., & Teeravut, P. (2024). A studying of vocal techniques for upper elementary students. Journal of Roi Kaensarn Academi, 9(2), 182–188. https://so02.tci-thaijo.org/index.php/JRKSA/article/view/265507
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Bimbi Adinda Alfian, Harpang Yudha Karyawanto

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors published with the Grenek: Jurnal Seni Musik agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. (See The Effect of Open Access)





