Fungsi Bregada Musik pada Upacara Grebeg Karaton Surakarta

Authors

DOI:

https://doi.org/10.24114/grenek.v15i1.73576

Keywords:

Fungsi, Bregada Musik, Upacara Grebeg

Abstract

This study examines the function of the music brigade in the Grebeg ceremony of the Surakarta Palace using Alan P. Merriam's Uses and Functions of Music theory. The music brigade is understood as a unit of musical soldiers present in Grebeg Maulud, Grebeg Syawal, and Grebeg Besar, which have similar functions and procession structures. The study used a qualitative descriptive method through direct observation, interviews, and field data analysis. The results of the study indicate that the music brigade not only plays a role as an accompaniment to the procession, but also carries out social, symbolic, and ritual functions. Music functions as a communication medium to provide cues for the stages of the procession, an expression of collective emotions, a driver of physical responses, a reinforcement of social norms, community integration through sound as a marker of the procession, and a symbolic representation of the power and greatness of the Surakarta Palace. The implementation of the music brigade takes place in three stages, namely the preparation of soldiers, respect and the procession journey, and completion at the destination of the ceremony. These findings confirm the position of the music brigade as a key element that regulates, enlivens, and gives meaning to the course of the traditional Surakarta ceremony.

Author Biography

  • Ade Ksatria Wanadri, Institut Seni Indonesia Surakarta

    Mahasiswa Program Studi Etnomusikologi Fakultas Seni Pertunjukan

References

Akbar, R., Asril, Gusrizal, & Aluna. (2023). Musik Militer Di Kodiklat TNI AD Babakan Ciamis, Bandung. Musica. 3(1):1–10. DOI: https://doi.org/10.26887/musica.v3i1.3251

Farida, R. N., & Shofi’unnafi. (2020). Melestarikan Simbol Integrasi Agama Dan Budaya Di Era Modern: Analisis Potensi Wisata Grebeg Maulud Di Surakarta. Jurnal Manajemen Dakwah. 6(2):101–115. DOI: https://doi.org/10.14421/jmd.2020.62-07

Fiqriannur, I. S. (2020). Concert Etude Trumpet Karya Alexander Geodicke (Analisis Teknik Permainan Trumpet). Repertoar. 1(1):36–45. DOI: https://doi.org/10.26740/RJ.V1N1.P36-48

Isik, O. (2025). Qualitative Research Approaches And Data Collection Methods: Understanding Meaning And Experience. Journal of Humanities and Education Development (JHED). 7(6):19–30. https://dx.doi.org/10.22161/jhed.7.6.3

McGuire, S. H. (2025). British Military Bands, Propaganda, And Diplomacy, 1872–1918. The Historical Journal. 68(1):1109–1128. DOI: https://10.1017/S0018246X24000815

Merriam, A. P. (1964). The Anthropology Of Music. Evanston, Illinois: Northwestern University Press.

Miles, M. B., Huberman, A. M., & Saldana, J. (2014). Qualitative Data Analysis: A Methods Sourcebook (3rd ed.). SAGE Publications.

Narselina, P. M. (2024). Representasi Karakter Abdi Dalem Musikan Kraton Jogja Pada Konser Peringatan Hari Pahlawan Di Kagungan Dalem Bangsal Mandalasana. Grenek: Jurnal Seni Musik. 13(1):96–106. DOI: https://doi.org/10.24114/grenek.v13i1

O’Keeffe, E. (2024). Military Music And Society During The French Wars, 1793–1815. Historical Research. 97(377):108–128. DOI: https://doi.org/10.1093/hisres/htad027

O’Keeffe, E. (2025a). British Military Music And The Legacy Of The Napoleonic Wars. The Historical Journal. 68(1):329–354. DOI: https://10.1017/S0018246X24000372

O’Keeffe, E. (2025b). British Military Music In Battle During The Napoleonic Wars. International Journal of Military History and Historiography. 45(1):1–31. DOI: https://10.1163/24683302-bja10075

Pamungkas, P. J. (2021). Labuh Labet: Pengabdian Prajurit Keraton Yogyakarta Dalam Karya Tari. JOGED: Jurnal Seni Tari. 17(1):17–29. DOI: https://doi.org/10.24821/joged.v17i1.5600

Rustamana, A., Adillah, P. M., Maharani, N. K., & Fayyedh, F. A. (2024). Qualitative Research Methods. Indonesian Journal of Interdisciplinary Research in Science and Technology (MARCOPOLO). 2(6):919–930. DOI: https://doi.org/10.55927/marcopolo.v2i6.9907

Salsabila, S. A., Alfatah, M. S., Tazkyatunnisa, H., Jabbarudin, I., & Pangestu, A. R. (2024). Makna Nilai Budaya Grebeg Syawal Di Yogyakarta Dan Surakarta. HISTORIA ISLAMICA: Journal of Islamic History And Civilization. 3(2):95–105. DOI: https://doi.org/10.30984/historia.v3i2.1212

Santoso, I. B., Sunarto, B., Santosa, & Mistortoify, Z. (2023). Ungkapan Estetika Karawitan Jawa Pada Reproduksi Rekaman Gamelan Ageng Surakarta. Jurnal Resital. 24(1):10–21. DOI: https://doi.org/10.24821/resital.v24i1.8885

Sardjono, A. Z., Sudarno, & Warsana. (2024). Bregada Rekso Winongo Kampung Ngampilan Dalam Acara Bregada Rakyat Malioboro. Selonding: Jurnal Etnomusikologi. 20(1):1–15. http://digilib.isi.ac.id/id/eprint/12312

Seawan, R. B. T., Jatilinuar, S. R. K., & Marsudi. (2023). “Moong Milih” Monggang Sebagai Ide Penciptaan Komposisi Karawitan. IDEA: Jurnal Ilmiah Seni Pertunjukan. 17(1):460–470. DOI: https://doi.org/10.24821/idea.v17i1.9263

Sejati, I. R. H., Sunarto, Nugroho, A. A. E., & Nugroho, A. E. (2023). Improving Musical Skills For Members Of Military Band Unit Of Indonesian Army In Administrative Officer Military Area Command IV Diponegoro Semarang. Jurnal Pemberdayaan: Publikasi Hasil Pengabdian Kepada Masyarakat. 7(2):31–39. DOI: https://10.12928/jp.v7i2.8640

Setiadi, B., Hadi, Q., & Handayani, D. S. T. (2000). Raja Di Alam Republik: Keraton Kasunanan Surakarta Dan Paku Buwono XII. Jakarta: PT. Bina Rena Pariwara.

Sunaryo, T. B., & Masjhoer, J. M. (2023). Pergeseran Fungsi Bregada Prajurit Keraton Surakarta Sebagai Representasi Komodifikasi Budaya Demi Pariwisata. Jurnal Masyarakat Dan Budaya. 25(2):51–60. DOI: https://doi.org/10.55981/jmb.2023.1639

Sunaryo, T. B., & Sejati, I. R. H. (2022). Form And Function Shifting Of The Music Corps Bregada In Kasunanan Surakarta Palace From Military To Tourism Attraction. JSM: Jurnal Seni Musik. 11(1):1–12. DOI: https://doi.org/10.15294/JSM.V11I1.5517

Surtihadi, R. M. (2014). Instrumen Musik Barat Dan Gamelan Jawa Dalam Iringan Tari Keraton Yogyakarta. Journal Of Urban Society’s Art. 1(1):1–10. DOI: https://doi.org/10.24821/jousa.v1i1.786

Wardhani, N. W., Arditama, E., Noe, W., & Narimo, S. (2021). Merawat Mistisisme Dalam Tradisi Ngalap Berkah Sebagai Upaya Menjaga Tatanan Sosial Masyarakat Di Surakarta. Jurnal Antropologi: Isu-Isu Sosial Budaya. 23(1):93–100. DOI: https://doi.org/10.25077/jantro.v23.n1.p93-100.2021

Wiflihani. (2016). Fungsi Seni Musik Dalam Kehidupan Manusia. Anthropos: Jurnal Antropologi Sosial Dan Budaya. 2(1):101–107. DOI: https://doi.org/10.24114/antro.v2i1.7503

Wiharja, M. K. A. K. (2022). Musik Nasyid Dalam Perspektif Fungsi Musik Alan P. Merriam. Pelataran Seni. 7(2):87–98. DOI: https://dx.doi.org/10.20527/jps.v7i2.19410

Zhang, S. (2024). Issledovanie Proiskhozhdeniya I Rannego Razvitiya Kitayskikh Voennykh Orkestrov. Kultura i Iskusstvo. (5). DOI: https://doi.org/10.7256/2454-0625.2024.5.70749

Downloads

Published

2026-06-30