About The Journal
Important for Author
Author Fee
Manuscript Template
This photographic work raises the theme of parental love through the medium of wooden matches in expression photography. This work focuses on life experiences, the daily activities of the creator while he was born and grew up full of love from his parents in Aceh. The theory of ideas that the creator uses in creating this work of Expression photography is in the form of Expression Photography, Composition, Semiotics and Lighting. This creation method also involves experimentation. The creative concepts and ideas displayed in this photo work are a reflection of the creator's daily life. The main object in making this work is a miniature person created from wooden matches. This work is inspired by the author's life story of the sincere love of his parents, as well as daily life activities that the author has experienced and felt. Rooted in a deep narrative of parental love, the project captures the essence of familial warmth and affection, depicting miniature wooden matchsticks involved in everyday activities as symbolic representations of the human experience. Each photo encapsulates a narrative of parental love and familial bonds, visually depicting moments of tenderness, joy and nurturing care. In "In Mother's Lap", "Happiness", "Dodaidi Swing", "Adab", and "Guardian", the creator visualizes the multifaceted nature of parental love, from caring for babies to guiding adolescence. These photos are a touching reminder of the eternal bond between parents and children, illustrating the profound impact that love and care can have on a child's development and well-being. Ultimately, through a blend of artistic expression and qualitative inquiry, the project “Parental Love through the Medium of Wooden Matching in Expressive Photography” transcends the realm of conventional photography, offering viewers a glimpse into the depth and richness of human relationships and experiences.
Anom, A. S., & Revias Purwa Kusuma, M. (2019). Pengungkapan Estetika Fotografi “Instagramable” Di Era Pariwisata Destinasi Digital. Mudra Jurnal Seni Budaya, 34(3), 319–324.
Atmojo, W. T., Suroso, P., & Rahmah, S. (2022). Pembelajaran Seni Budaya Dengan Menggunakan Media Virtual Reality (Vr) Pada Tingkat Satuan Sma Berbasis Local Wisdom Sumatera Utara. Gondang: Jurnal Seni Dan Budaya, 6(1), 182.
Danesi, Marcel. (2004). Pesan, Tanda, dan Makna. Yogyakarta: Jalasutra.
Dharsono, Sony Kartika. (2016). Kreasi Artistik: Perjumpaan Tradisi Modern dalam Paradigma Kekaryaan Seni. Jaten Karanganyar: Citra Sain.
Djelantik, A.A.M. (2004). Estetika Sebuah Pengantar. Bandung: MSPI.
Febrianto, W. A. Dkk. (2021). Tenun Ikat Kediri Dalam Fotografi Dokumenter. Yogyakarta: Institut Seni Indonesia Yogyakarta.
Haes, P. E., & Apsari, A. M. D. The Aesthetic Communication: Representation of Gandrung Bangun Urip Dance in Batukandik Village. Jurnal Seni dan Budaya, 7(2), 416-425.
Kurniawan, D. B., Octaviano, Amoga, L., & Pramana, I Made, B. (2021). Imajinasi keindahan ikan cupang hias dalam fotografi seni 1,2,3. Retina Jurnal Fotografi, 1(2), 147–156.
Linando, S. I., & Prasetyo, M. E. (2022). Komposisi Visual dan Tata Cahaya pada Film Netflix Berjudul Squid Game. 06(01), 20–32.
Marah, Risman. (2008). Soedjai Kartasasmita di Belantara Fotografi Indonesia. BP ISI Yogyakarta.
Pramiswara, I. G. A. N. A. Y. (2021). Fotografi Sebagai Media Komunikasi Visual Dalam Promosi Budaya. Danapati: Jurnal Komunikasi, 1(2), 126–138.
Prasetyo, M. E. (2021). Kajian Visual Komposisi Simetris dan Asimetris Fotografi Surreal Fashion Karya Natalie Dybisz, 293–301.
Prasetyo, M. E., & Everlin, S. (2022). VISUAL ANALYSIS OF LEE JEFFRIES’ INSTAGRAM PHOTOGRAPHS. Capture, 14(1), 49–60.
Purnomo, Anom, A. S., & Revias Purwa Kusuma, M. (2019). Pengungkapan Estetika Fotografi “Instagramable” Di Era Pariwisata Destinasi Digital. Mudra Jurnal Seni Budaya, 34(3), 319–324.
Rifandi, I., & Irianto, I. S. (2023). " Membingkai Melayu" Perancangan Metode Akting Berbasis Tradisi Untuk Pembelajaran Makyong di Program Studi Seni Pertunjukan UNIMED. Jurnal Sendratasik, 12(2), 157-168.
Rifandi, I., Hakim, I., & Nasution, N. S. (2023). Gabe Halak Batak; Batak Toba Ethnic Bodiedness Traditions as a Reference for Actor Training. Gondang: Jurnal Seni dan Budaya, 7(1), 116-126.
Sari, N. L. (2018). Kepribadian Introvert Dalam Fotografi Ekspresi. Yogyakarta: Institut Seni Indonesia Yogyakarta.
Soedjono, Soerapto. (2006). Pot-Pourri Fotografi. Jakarta: Universitas Trisakti.
Yulias Nugroho. (2015). Jepret, panduan fotografi dengan kamera digital DSLR. Familia Yogyakarta.
Zahar, Iwan. (2003). Catatan Fotografer: Kiat Jitu Menembus New York. Jakarta: Penerbit Kreativ Media.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.