Vol. 9 No. 2 (2025): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2025

Research Article

• The Function of Music in Silek Minangkabau: Instrument and Cultural Values

  Rosta Minawati, Alfalah Alfalah

  332-345

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• Pentahelix Model of Cultural Transmission in Wayang On The Street Performances in Semarang’s Old Town

  Dwi Yullastuti, Paramitha Dyah Fitriasari, Wiwik Sushartami

  346-355

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• Visual Literacy Design of Kebo Kicak Interactive Game for Early Age Children

  Kinanti Erste Panggayuh Putri, Akbar Warisqianto, Muhammat Fansya Ubaidillah

  356-372

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• Choreographing Matrilineal Archives: Feminist Emplacement in Perempuan dan Rumah Gadang by Loravianti

  Hendra Nasution, Wiwik Sushartami, Rr Paramitha Dyah Fitriasari

  373-385

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• Nada-Nada Persatuan: Manifestation of the Third Principle of Pancasila in the Meugang Through Experimental Music

  Rico Gusmanto, Dwindy Putri Cufara, Rika Wirandi

  386-400

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• Harmony of Chinese Cultural Acculturation in the Aesthetic Perspective of Art Anthropology in Surakarta

  Achmad Nur Kholis, Norhayati Ayob

  401-418

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• Artistic Research in the Process of Documentary Filmmaking Semua Pasti Bertuan

  M. Kisra Anusyirwan, Citra Dewi Utami, Nur Rahmat Ardi Candra Dwi Atmaja

  419-430

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• The Creation of the Performative Theater Ruang Ketubuhan

  Galuh Tulus Utama, Riswani Riswani, Fantri Pribadi, Marrisa Aulia Mayangsari, Iga Ayu Intan Candra

  431-441

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• Pancasila Ideology in Practice: Ethnographic Study of Integration in Amaq Abir Theater West Nusa Tenggara

  Rapi Renda, Mohamad Yudisa Putrajip, Galih Suryadmaja, I Wayan Kusuma Di Biagi, Daffa Satya Jaya Buana

  442-457

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• The Gayo Kerawang Motifs at the Keni Gayo Statue in Central Aceh Regency

  Maulidha SA, Ikhwanuddin Nasution, Agus Priyatno, Lenna Shaness

  458-473

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• Dialog Bunyi: Reinterpreting Uroh Rapai as a Manifestation of Social Piety in Musical Composition

  Angga Eka Karina, Dwindy Putri Cufara, Toza Darlija, Riqi Anugerah

  474-482

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• Revealing the Symbolic Meaning of Heri Dono's Flying Angels: From Paul Ricoeur's Hermeneutic Perspective

  Sumarwahyudi Sumarwahyudi

  483-492

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• Socio-Cultural Changes of Hananu Mate in the Death Song Bei Mate of The Tetun Tribe

  Theresia Trivonia Sanan, Aton Rustandi Mulyana

  493-503

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• ADDIE-Based Design Research of Institutional Batik at Ma Chung University

  Amar Ma'ruf Stya Bakti, Didit Prasetyo Nugroho

  504-518

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• Aesthetics of the Cowongan Dance at Sanggar Sekar Shanty Banjarnegara

  Dian Wardani Putri, Muhammad Jazuli

  519-531

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• Acehnese Creative Dance as an Intervention for Problematic Digital Use in Elementary Schools

  Putry Julia, Faisal Anwar

  532-541

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• Inai Dance and Cultural Identity in Malay Wedding Ceremonies of Teluk Majelis

  Nurul Annisa Syafwan, Daryusti Daryusti

  542-551

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• Symbolism of Movement in Widya Prakrti Dance: A Phenomenological Analysis of Cultural and Spiritual Interpretation

  I Wayan Gede Lamopia, Riza Wulandari, Putu Setyarini

  552-561

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• Nusantara Dance as a Therapeutic and Educational Medium for SLBN Bireuen Students

  Novita Hidayani, Cut Santika

  562-572

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• Presentation of Tortor Bejan at Traditional Ceremonies of the Batak Toba Community

  Martozet Martozet, Eszter Tari, Dilinar Adlin, Tania Rizqy Octaviani, Liza Maysuri

  573-583

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• Preserving the Rabbani Wahed Dance through Arts Extracurricular Activities: A Study of Cultural Digitalization

  Umul Aiman, Novysa Basri

  584-593

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• Characteristics of the Teren Bas Instrument of Orkes Kampoeng Wangak

  Viktoria Friski Lestari, Ezra Deardo Purba, Rianti Mardalena Pasaribu

  594-608

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• Trapunto Quilting Innovation on Sasirangan Fabric and Community Response in South Kalimantan

  Lusi Arianti, Nurul Hidayati

  609-618

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• The Form and Creative Process of Nyi Pandanaran as a Female Warrior Dance

  Sangghita Anjali, Soemaryatmi, R. M. Pramutomo

  619-631

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• Grassroots Community Music Education as a Strategy for Liberating Marginalized Communities in Surabaya

  Bayu Aji Wicaksono, Warih Handayaningrum, Setyo Yanuartuti

  632-641

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