Visual Strategies in Video Branding to Build a Professional Image: A Case Study of the Video “Pruways”
DOI:
https://doi.org/10.24114/gr.v14i2.67878Keywords:
Visual Branding, professional Image, communication, Videografi, Internal BrandingAbstract
In a competitive digital era, video has become an important strategy in brand communication to build a professional image. This study analyzes the internal video "PruWays" produced by Prudential Syariah Indonesia with a descriptive qualitative approach to explore how visual elements such as framing, color, lighting, and brand symbols are designed to shape perceptions of professionalism. The key issue was how to communicate sharia values aesthetically and strategically to foster employee ownership. Analysis showed that framing techniques such as rule of thirds and center framing succeeded in building a sense of professionalism, order, and visual authority. The use of a red and teal green color palette incorporates a sense of boldness and spirituality that reinforces the corporate identity. Soft lighting and natural daylight create an inclusive and friendly atmosphere, while visual symbols such as logos, collaborative gestures, and modern layouts reinforce sharia values such as ukhuwah, amanah, and ihsan. The tangible impact is evident from the increased employee participation in post-screening discussion forums, which shows emotional engagement has translated into collective action. This research aims to identify and explain how visual elements in internal videos can be used strategically to shape a professional image and communicate organizational values to employees. The limitations of this research lie in the single object focus and the non-use of quantitative perception measures, so the results are exploratory and require further study for wider validation.References
Arka, R. A. R., & Ardi, M. R. (2023). Manajemen Produksi Video Klip “Klebus” Ngatmo Mbilung. Jurnal Audiens, 4(3), 414–424.
Ashelawati, B. D., & Kurnia. (2025). Pemanfaatan Media Sosial Terhadap Keterlibatan Karyawan Di Limestones Digital Indonesia. Triwikrama: Jurnal Ilmu Sosial, 8(1), Article 1. https://doi.org/10.6578/triwikrama.v8i1.12691
Aulia, F., Afriwan, H., & Faisal, D. (2021). Konsistensi Logo Dalam Membangun Sistem Identitas. Gorga : Jurnal Seni Rupa, 10(2), Article 2. https://doi.org/10.24114/gr.v10i2.28131
Backhaus, K., & Tikoo, S. (2004). Conceptualizing and researching employer branding. Career Development International, 9(5), 501–517. https://doi.org/10.1108/13620430410550754
Bo, Y., Yu, J., & Zhang, K. (2018). Computational aesthetics and applications. Visual Computing for Industry, Biomedicine, and Art, 1(1). https://doi.org/10.1186/s42492-018-0006-1
Creswell, J. W., & Creswell, J. D. (2023). Research design: Qualitative, Quantitative, and Mixed Methods Approaches. 6th ed (6th ed.). SAGE.
Daruhadi, G., & Sopiati, P. (2024). Pengumpulan data penelitian. J-CEKI: Jurnal Cendekia Ilmiah, 3(5), 5423–5443.
Desipriani, D. (2024). Penggunaan Window Light Sebagai Sumber Pencahayaan Alami dalam Fotografi. Filosofi: Publikasi Ilmu Komunikasi, Desain, Seni Budaya, 1(3), 303–310.
Đorđević, B. (2021). The Impact of the Covid 19 Pandemic on Economy, Resources and Sustainable Development.
Elliot, A. J., & Maier, M. A. (2014). Color Psychology: Effects of Perceiving Color on Psychological Functioning in Humans. Annual Review of Psychology, 65(1), 95–120. https://doi.org/10.1146/annurev-psych-010213-115035
Ferreira, S. D. A., Santos, S., & Do Espírito Santo, P. M. (2021). A perceção dos indivíduos sobre um vídeo publicitário. AVANCA | CINEMA. https://doi.org/10.37390/avancacinema.2020.a169
Ginting, J., & Triyanto, R. (2020). Tinjauan Ketepatan Bentuk, Gelap Terang, Dan Warna Pada Gambar Bentuk Media Akrilik. Gorga : Jurnal Seni Rupa, 9(2), Article 2. https://doi.org/10.24114/gr.v9i2.20118
Halim, B., & Yulius, Y. (2023). Analisis Semiotika Ferdinand De Saussure Pada Film “Selesai.” Gorga : Jurnal Seni Rupa, 12(1), Article 1. https://doi.org/10.24114/gr.v12i1.41423
Ichsan, L. A. (2025). Semiotic Analysis Of Phishing Mode Prevention Efforts Implemented Through Bca Advertisements “Don’t Know? Kasih No!” Gorga : Jurnal Seni Rupa, 14(1), Article 1. https://doi.org/10.24114/gr.v14i1.65716
Imam, C., & Rakhman, R. T. (2024). Analisis Semiotika Dan Narasi Visual Dalam Penggunaan Dua Jenis Teknik Animasi Pada Film Animasi “The Little Prince.” https://dasarupa.nusaputra.ac.id/article/view/184
Karja, I. W. (2021). Makna warna. Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara, 1. https://eproceeding.isibali.ac.id/index.php/bdw/article/view/260
Kaur, H., & Kaur, K. R. (2021). Investigating the effects of consistent visual identity on social media. Journal of Indian Business Research, 13(2), 236–252.
Lawand, L. F. (2015). The Power of Visual Branding: The impact of visual branding on consumer perception and marketing [Thesis, Arab Open University].
Li, Y., & Mat, R. C. (2023). The Impact of Visual Image on Brand Communication: A Multi-Dimensional Interaction Model Analysis. Journal of Logistics, Informatics and Service Science, 10(4), 250–266.
Muafi. (2021). Perilaku ta’ awun, stres kerja, keseimbangan kehidupan kerja pada Saya berperspektif Islamefektif dan efisienoke performanyace: Investigasi di indonesia. Holistica Jurnal Bisnis dan Administrasi Publik, 12, 86–100. https://doi.org/10.2478/hjbpa-2021-0024
Nanda, S. B., Setyawan, M., & Wenas, M. B. (2025). Perancangan Video Promosi Tinctori Sebagai Media Promosi dengan Penerapan Marketing 5.0. Misterius : Publikasi Ilmu Seni Dan Desain Komunikasi Visual., 2(1), 267–287. https://doi.org/10.62383/misterius.v2i1.590
Oliveira, J. (2024). In Focus: Understanding Depth of Field and Its Creative Applications. EMPOWERVERSE. https://doi.org/10.5281/zenodo.10780637
Purbasari, S. (2021). Visual Social Semiotics Analysis Of Diesel Denim Advertising "Be Stupid". ArtComm : Jurnal Komunikasi Dan Desain, 4(2), 89–108. https://doi.org/10.37278/artcomm.v4i2.433
Rahmat, S. P. N. (2021). Transformasi Dokumen Komunikasi Visual Sampul Buku Digital Dalam Metode Penelitian Kualitatif Perspektif Sosial Budaya Bidang Desain Komunikasi Visual. Gorga : Jurnal Seni Rupa, 10(1), Article 1. https://doi.org/10.24114/gr.v10i1.25272
Setiyanto, S., Utomo, I. C., Dawis, A. M., Yuliati, T., Nugraha, N. B., Maniah, M., Natsir, F., Suhendi, H. Y., & Syujak, A. R. (2023). Multimedia Dan Sains Penerapan Teknologi Untuk Penelitian Dan Penyampaian Informasi. Penerbit Widina.
Silva-Rojas, N. (2006). Corporate Visual Identity: The Communicational Role of The Brand Name and The Logo [Bachelor thesis]. Lulea University of Technology.
Sodikin, M., Fachrunnisa, O., & Cahyono, B. (2023). Ihsan Commitment: A New Concept of Workplace Commitment in Islamic Perspective. ResearchGate. https://doi.org/10.26501/jibm/2023.1302-006
Sugiyono, Prof. Dr. (2023). Metode penelitian kuantitatif, kualitatif dan R&D. (19th ed.). CV. ALFABETA.
Suwandi, N. A., & Koswara, I. (2025). Analisis Penggunaan Camera Angle pada Film Pendek untuk Mendukung Persepsi Karakterisasi Tokoh. J-CEKI : Jurnal Cendekia Ilmiah, 4(2), Article 2. https://doi.org/10.56799/jceki.v4i2.7572
Tanjung, P. N., & Manesah, D. (2025). Analisis Color Grading dalam Menampilkan Adegan Flashback pada Film “Bebas” | Imajinasi: Jurnal Ilmu Pengetahuan, Seni, dan Teknologi. Imajinasi : Jurnal Ilmu Pengetahuan, Seni, Dan Teknologi, Vol. 2, No. 1. https://doi.org/10.62383/imajinasi.v2i1.537
Waters, R. D., & Jones, P. M. (2011). Using Video to Build an Organization’s Identity and Brand: A Content Analysis of Nonprofit Organizations’ YouTube Videos. Journal of Nonprofit & Public Sector Marketing, 23(3), 248–268. https://doi.org/10.1080/10495142.2011.594779
Zhang, Y. (2024). Research on Brand Communication Strategies in the New Media Environment. ResearchGate.https://www.researchgate.net/publication/382361380_Research_on_Brand_Communication_Strategies_in_the_New_Media_Environment
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Firdaus Tara Putra, Pratama Bayu Widagdo

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Copyright
Authors published in this journal agree to the following terms:
- The copyright of each article is retained by the author (s).
- The author grants the journal the first publication rights with the work simultaneously licensed under the Creative Commons Attribution License, allowing others to share the work with an acknowledgment of authorship and the initial publication in this journal.
- Authors may enter into separate additional contractual agreements for the non-exclusive distribution of published journal versions of the work (for example, posting them to institutional repositories or publishing them in a book), with acknowledgment of their initial publication in this journal.
- Authors are permitted and encouraged to post their work online (For example in the Institutional Repository or on their website) before and during the submission process, as this can lead to productive exchanges, as well as earlier and larger citations of published work.
- Articles and all related material published are distributed under a Creative Commons Attribution-ShareAlike 4.0 International License.
License
Gorga : Jurnal Seni Rupa is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.









