About The Journal
Important for Author
Author Fee
Manuscript Template
This study used qualitative methods with participant observer to study Continuity and change of Ende Book and Yamuger's Song of the Church is an integral part of church music. Continuity and change by using synchronic and historical diachronic theory. To study the structure of music used the theory of weighted scale, rhythm, and the relationship of music with text. To study the text used semiotic theory. The origins of song and melody texts are from the German Protestant congregation, which is then translated into Batak (Ende's Book) and Indonesian (Yamunger's Song of the Church). On the other hand, there are also direct translations that give rise to differences of etymological and semantic meaning between these three types of chanting. In the context of sosioreligious, Batak language has been very fulfilled into a language of religious choice in worship, to strengthen the social sentiments that cause the emergence of religious emotions and the attainment of the inner atmosphere of the congregation. Among young people the phenomenon above is true, but not in all places or locations of the support community, so the doubt about its loyalty to Ende's Book is undoubtedly not a latent danger. Social sentiment that causes the emergence of religious emotion is still considered strong, but it is expected that there will be a system that will be a benchmark to be able to stay awake.
Aristoteles. Nicomachean Ethics: Sebuah Kitab Suci Etika. Bandung: Mizan Media Utama, 2004.
Cobley, P dan Jansz L. Mengenal Semiotika for Beginners. Bandung: Penerbit Mizan, 2002.
David R. R, Gereja Yang Hidup, BPK Gunung Mulia, Jakarta, 2000.
David, W, The World of Music 3rd Edition, Brown & Benchmark Publisher, Susquehanna University,1996.
Djohan, Psikologi Musik. Yokyakarta: Buku Baik, 2005
Hatta, M. Alam Pikiran Yunani. Jakarta: UI-Press, 1986.
Kaplan, D dan Manners R. A. Teori Budaya. Yogyakarta: Pustaka Pelajar, 2002.
Khan, H.I. Dimansi Mistik Musik dan Bunyi. Yogyakarta: pustaka Sufi, 2002.
Lombard, D. Nusa Jawa: Silang Budaya, jilid 1: Batas-Batas Pembaratan. Jakarta: Gramedia Pustaka Utama, 2005.
______________. Nusa Jawa: Silang Budaya, jilid 2: Jaringan Asia. Gramedia Pustaka Utama, 2005.
Merriam, A.P. The Antropology Of Musik,( Evaston Ill: North¬western University Press, 1964.
O’Donnel, K. Posmodernisme. Yogyakarta: Penerbit Kanisisus, 2013.
PaEni, M. Sejarah Kebudayaan Indonesia: Seni Pertunjukan Dan Seni Media. Jakarta: PT Raja Grafindo Persada, 2009.
Piliang, Y.A. Semiotika dan Hipersemiotika: Kode, Gaya Dan Matinya Makna. Bandung: Matahari, 2012.
Q-Anees, B dan A Hambali, Radea Juli. Filsafat untuk Umum. Jakarta Timur: Prenada Media, 2003.
Ricoeur, P. Teori Interpretasi: Memahami Teks, Penafsiran dan Metodologinya. Jogjakarta: IRCisod, 2012.
Susantina, S. Nada-Nada Radikal: Perbincangan Para Filsuf Tentang Musik. Jogjakarta: Panta Rhei Books, 2004.
Sylado, R. Menuju Apresiasi Musik. Bandung: Penerbit Angkasa, 1983.
Coulmas, F. The Blackwell's Encyclopedia of Writing Systems. Oxford: Blackwells, 1996. Hal.174
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.