Revitalization of the Symbolic Meaning and Aesthetic Culture of Lesung Panjang in the Kinali
DOI:
https://doi.org/10.24114/gr.v15i1.71533Keywords:
Dimples, Cultural Revitalization, Fine Arts, Symbolic Meaning, AestheticAbstract
This research departs from the problem of the fading tradition of the Lesung Panjang tradition in Mandi Angin, Kinali District, Pasaman Barat, Sumatera barat, Indonesia as a result of changes in technology and people's lifestyles. The long mortar, which used to function as a tool for processing communal rice as well as a medium for forming the value of togetherness, symbolism, and sound aesthetics, now only appears in a limited way in traditional activities. The urgency of this research lies in the urgent need to revitalize the long dlet not only as a cultural object, but as an intangible cultural heritage that contains visual, social, and symbolic value. The research gap was found in the lack of studies that placed Lesung Panjang in the perspective of fine arts and multisensory aesthetics, especially related to visual forms, sound rhythms, and accompanying social structures. This research aims to re-examine the symbolic meaning, aesthetic value, and social function of long dimples through an art approach as a cultural revitalization strategy. The research method uses a descriptive qualitative approach with an ethnographic design of art. The data source consists of primary data in the form of observations and in-depth interviews with community leaders, as well as secondary data in the form of documentation and literature studies. Data collection techniques include observation, interviews, and documentation, with data analysis through reduction, presentation, and conclusion drawn, as well as testing the validity of data using source triangulation. The results of the study showed that the Lesung Panjang has a strong visual and sound aesthetic value, representing the collective work structure and symbolic value of society. This research contributes to enriching the study of cultural revitalization based on fine art and recommends further research on the development of educational media and art works based on local traditions.
References
Abdul Jalil & St. Aminah. (2018). Gender Dalam Perspektif Budaya Dan Bahasa. Sekolah Tinggi Agama Islam (STAI) DDI Pangkep, 11(3), 248–253.
Adiputra, D. K., Assayid, W. S., Arini, I., & Nugroho, N. (2025). GENERASI MUDA PELESTARI KEARIFAN LOKAL UNTUK INKLUSI ADAT DI ERA MODERN. PROFICIO, 6(2), 333–339. https://doi.org/10.36728/jpf.v6i2.4760
Amalia, R., Shifa, L. N., & Fadilah, A. A. (2025). Pengaruh Globalisasi terhadap Minat Generasi Muda dalam Melestarikan Kesenian Tradisional Indonesia. TSAQOFAH, 5(1), 675–684. https://doi.org/10.58578/tsaqofah.v5i1.4577
Ambarwati, S., & Pinasti, V. I. S. (2019). Pelestarian Kesenian Tradisional Budaya Jawa Gojeg Lesung Di Desa Patutrejo Kecamatan Grabag Kabupaten Purworejo Jawa Tengah. Pendidikan Sosiologi, 1, 1–9.
Aryani, I. K. (2025). Peran Gender Dalam Pelestarian Nilai-Nilai Adat dan Budaya Tradisi Memetri Bumi Di Desa Widarapayung Wetan Kabupaten Cilacap Indonesia. Koloni, 4(3), 79–85. http://koloni.or.id/index.php/koloni/article/view/740%0Ahttps://koloni.or.id/index.php/koloni/article/download/740/653
Astrid, Ayuni Kartika, Dewi Yanti, Mulia Sari, & M Zainul Hafizi. (2025). Transformasi Nilai Tradisi Besaprah dalam Budaya Sambas di Era Globalisasi. JUPSI Jurnal Pendidikan Sosial Indonesia, 2(3), 115–125. https://doi.org/10.62238/jupsi.v2i3.130
Bodedarsyah, A., & Yulianti, R. (2019). Meningkatkan Kemampuan Berpikir Simbolik Anak Usia Dini Kelompok a (Usia 4-5 Tahun) Dengan Media Pembelajaran Lesung Angka. CERIA (Cerdas Energik Responsif Inovatif Adaptif), 2(6), 354. https://doi.org/10.22460/ceria.v2i6.p354-358
Chen, F. (2022). Analysis of the Characteristics of Art Intangible Cultural Heritage in Cross-Cultural Communication. Art and Design Review, 10(03), 389–396. https://doi.org/10.4236/adr.2022.103030
Fajri, S., Malarsih, M., & Hartono, H. (2024). ANALISIS MAKNA TOPENG SEBAGAI PROPERTI TARI PADA PERTUNJUKAN BEDUG KEROK. Joged, 23(2), 263–274. https://doi.org/10.24821/joged.v23i2.14164
Herliana, S. N., & Anggrian, M. (2025). Membangun Apresiasi Budaya Lokal: Studi Edukasi Visual Melalui Festival Kampung Budoyo #2. Kusa Lawa, 5(1), 72–87. https://doi.org/10.21776/ub.kusalawa.2022.05.01.06
Irsa, I. M., & Sami, Y. (2023). LESUNG SEBAGAI SUMBER KEHIDUPAN DALAM KARYA LUKIS SUREALIS. Serupa The Journal of Art Education, 12(2), 127. https://doi.org/10.24036/stjae.v12i2.121862
Nurhasanah, L., Siburian, B. P., & Fitriana, J. A. (2021). PENGARUH GLOBALISASI TERHADAP MINAT GENERASI MUDA DALAM MELESTARIKAN KESENIAN TRADISIONAL INDONESIA. Jurnal Global Citizen : Jurnal Ilmiah Kajian Pendidikan Kewarganegaraan, 10(2), 31–39. https://doi.org/10.33061/jgz.v10i2.5616
Permata, M. M. B., & Setiawan, I. (2025). Correlation of Color Symbolism in Guel Dance Costumes and Movement in the Gayo Community. Gorga : Jurnal Seni Rupa, 14(1), 382–389. https://doi.org/10.24114/gr.v14i1.67690
Primamona, D. L. (2020). Mortar Music Tradition as the Javanese Agrarian Folklore in Magetan, Indonesia. Proceedings of the 4th International Conference on Arts Language and Culture (ICALC 2019). https://doi.org/10.2991/assehr.k.200323.004
Putra Surya, E., Heryati, H., & Setyawati, D. (2024). Nilai-nilai dalam Proses Tradisi Lelocon Melalui adat Pernikahan di desa Lesung Batu Kabupaten Empat Lawang. Jurnal Muara Pendidikan, 9(1), 156–164. https://doi.org/10.52060/mp.v9i1.1971
Setyawati, A., Hartono, H., & Ary, D. Da. (2023). Kreativitas Guru dalam Pembelajaran Tari Bendrong Lesung pada PAUD Terpadu Anak Bangsa Cilegon. Jurnal Obsesi : Jurnal Pendidikan Anak Usia Dini, 7(2), 1799–1808. https://doi.org/10.31004/obsesi.v7i2.4146
Simanullang, Y. S., Butar Butar, J. A., Simanjuntak, M., Pakpahan, D. br, Hutasoit, S. M., & Purnamasari, I. (2024). Dinamika Perubahan Sosial Dalam Masyarakat Agraris. Jiic: Jurnal Intelek Insan Cendikia, 1(8), 4108–4117.
Suprapto, W., & Kariadi, D. (2018). Pelatihan Gejog Lesung pada Pemuda Dusun Gunturan, Triharjo, Pandak, Bantul Sebagai Upaya Pelestarian Budaya Bangsa. Jurnal ABDINUS : Jurnal Pengabdian Nusantara, 2(1), 51–61. https://doi.org/10.29407/ja.v2i1.11888
Uyun, Q. (2002). Peran Gender dalam Budaya Jawa. Psikologika : Jurnal Pemikiran Dan Penelitian Psikologi, 7(13). https://doi.org/10.20885/psikologika.vol7.iss13.art3
Yang, T. (2025). Designing visual identity systems for intangible cultural heritage: from digital archiving to regional cultural tourism product integration. Advances in Humanities Research, 12(4), 15–19. https://doi.org/10.54254/2753-7080/2025.25019
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Rajif Ayunda, Rosminda Rosminda, Asril Asril, Dede Pramayoza, Shofi Nurhayati

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Copyright
Authors published in this journal agree to the following terms:
- The copyright of each article is retained by the author (s).
- The author grants the journal the first publication rights with the work simultaneously licensed under the Creative Commons Attribution License, allowing others to share the work with an acknowledgment of authorship and the initial publication in this journal.
- Authors may enter into separate additional contractual agreements for the non-exclusive distribution of published journal versions of the work (for example, posting them to institutional repositories or publishing them in a book), with acknowledgment of their initial publication in this journal.
- Authors are permitted and encouraged to post their work online (For example in the Institutional Repository or on their website) before and during the submission process, as this can lead to productive exchanges, as well as earlier and larger citations of published work.
- Articles and all related material published are distributed under a Creative Commons Attribution-ShareAlike 4.0 International License.
License
Gorga : Jurnal Seni Rupa is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.









