The Function of the Basuh Lantai Tradition for the Daik Village Community

Panca Dwi Kora, Daryusti Daryusti

Abstract


Culture is the characteristic identity of any group or community, which is upheld within its boundaries. Culture as a product of human thought records community traditions in various ceremonies such as births, funerals, agricultural rituals and musical performances. One of the ingrained traditions is the Washing the Floor custom in Daik Village, Lingga Regency, Riau Islands Province, which is carried out before giving birth. This qualitative research conducted in Daik Village immersed researchers in the local community, aiming to understand the social significance and evolution of the Basuh Floor tradition. By demonstrating solidarity and actively participating with the locals, the researcher aims to gather accurate information for this study. The results reveal the tradition's connection to animist beliefs and its role in protecting against mystical forces. Despite modernization, the decline of these traditions reflects changing attitudes towards childbirth practices and health care. This study underscores the importance of preserving cultural heritage amidst societal change. Despite its decline, the Basuh Floor tradition remains an integral part of the cultural identity of Daik Lingga Village and the Riau Islands as a whole. It serves as a symbol of cultural continuity and resilience, reminding the community of their heritage and providing a sense of belonging and identity. Additionally, it underscores the importance of understanding and preserving cultural practices, not only for their symbolic value but also for their role in maintaining social cohesion and collective memory.

Keywords


Basuh Lantai; Daik Village; Function Preserving Cultural

Full Text:

PDF

References


Bungin, Burhan. (2010). Analisis Data Penelitian Kualitatif. Rajagrafindo: Jakarta.

Burhan Ali, Z. (2021). Musik Iringan "Tari Angigall" dalam Prosesi Ritual Duata Suku Bajo Mola di Kabupaten Wakatobi (Doctoral Dissertation, Fakultas Seni Dan Desain).

Clifford, G. (1992). Tafsir Kebudayaan. Yogyakarta: Kanisius.

Dibia, I. Wayan, et. al. (2006). Tari Komunal. Lembaga Pendidikan Seni Nusantara: Jakarta.

Djelantik, A. A. M., Rahzen, T., & Suryani, N. N. M. (1999). Estetika: sebuah pengantar. Masyarakat Seni Pertunjukan Indonesia.

Gusmanto, R., & Denada, B. Sinergi Paramassa: Implementation of the Social Values of the Meugang Tradition into Digital Music Composition. Jurnal Seni dan Budaya, 7(2), 291-308. https://doi.org/10.24114/gondang.v7i2.50328.

Hayatunnufus, H. (2005). Desain Bordir. UNP Press: Padang.

Herusatoto, B. (2000). Simbolisme dalam budaya Jawa. Haninditha: Yogyakarta.

Indrayuda, I. (2013). Tari Sebagai Budaya dan Pengetahuan. UNP Press: Padang.

Jamaluddin, J. (2015). Tradisi Ziarah Kubur dalam Masyarakat Melayu Kuantan. Sosial Budaya, 11(2), 251-269.

Jazuli, M. (1994). Telaah teoritis seni tari. IKIP Semarang Press: Semarang.

Koentjaraningrat. (1983). Pengantar ilmu antropologi. Aksara Baru, Jakarta.

Marsan, N. S., & Siregar, M. J. (2021). Menghidupkan Identitas Kepulauan Riau Melalui Seni Tari Tradisional. Gondang, 5(1), 40-52. https://doi.org/10.24114/gondang.v5i1.20964.

Miles, B.M., & Hubberman, A.M. (1992). Analisis Data Kualitatif. Universitas Indonesia Press: Jakarta.

Murgiyanto, S. (1983). Koreografi Pengetahuan Dasar Komposisi Tari. Jakarta: Departemen Pendidikan dan Kebudayaan, 1-153.

Permata, R. D., & Birsyada, M. I. (2022). Tradisi Upacara Adat Ngasa Dalam Konstruksi Sosial Masyarakat Dusun Jalawastu Ciseuruh. Gondang, 6(1), 12-22. https://doi.org/10.24114/gondang.v6i1.27199.

Sachari, A. (2002). Estetika: makna, simbol dan daya. Penerbit ITB: Bandung.

Saefullah, E., Fatari, F., Putra, A. R., Juhandi, J., & Wiguna, W. (2023). Buku Ajar Pengantar Manajemen. Penerbit Eureka: Jawa Tengah.

Suroso, P., Ritonga, D. I., Wiflihani, W., Mukhlis, M., & Satria, T. D. (2020). The Repertoire of Traditional Malay Ensemble as a Source of Violin Practice Learning Material. Budapest International Research and Critics in Linguistics and Education (BirLE) Journal, 3(4), 1750-1758.

Susanti, K. (2018). Prosesi, Makna Kultural, Dan Nilai Pendidikan Karakter Dalam Tradisi Wiwit Panen Padi Di Desa Lebak Jabung Kecamatan Jatirejo Kabupaten Mojokerto. Jurnal Pendidikan Bahasa Dan Sastra Indonesia, 53(9), 1689-1699.

Umam, M. C. (2014). Upaya Pelestarian Kesenian Kenanthi di Dusun Singosaro, Desa Sidoagung, Kecamatan Tempuran, Kabupaten Magelang. Universitas Negeri Yogyakarta.

Rifandi, I., & Irianto, I. S. (2023). " Membingkai Melayu" Perancangan Metode Akting Berbasis Tradisi Untuk Pembelajaran Makyong di Program Studi Seni Pertunjukan UNIMED. Jurnal Sendratasik, 12(2), 157-168.

Ritzer, G. (2004). Teori Sosiologi Modern. Prenada Media: Jakarta.

Zulfahmi, M. (2016). Interaksi dan Inter relasi Kebudayaan Seni Melayu Sebagai Sebuah Proses Pembentukan Identitas. Ekspresi Seni: Jurnal Ilmu Pengetahuan Dan Karya Seni, 18(2), 307-323.




DOI: https://doi.org/10.24114/gondang.v8i1.47564

Article Metrics

Abstract view : 154 times
PDF - 97 times

Refbacks

  • There are currently no refbacks.


Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.


 Creative Commons License
 This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

slot gacor slot